WORDS
Published
Articles
Gail is associate editor and regular
writer on sound, media art and performance for RealTime, Australia's leading
contemporary arts magazine.
Sound
Sounds solid, sounds fluid
RealTIme 87 October/November 2008
Listening to the turning world: Sydney Biennale 2008
RealTime 86 August/September 2008
Elemental vibrations: What is Music? Sydney
RealTime 85 June/July 2008
Car, crash, contemporary: the Aurora festival
RealTime 85 June/July 2008
Showman or shaman: Kimmo Pohjonen
RealTime 83 February/March 2008
Sonic extremities: Liquid Architecture 8
RealTime
81 October/November 2007
Pelt:
Fast, furious, fleeting...
RealTime
75 October/November 2006
DualPlover:
A decade of DIY
RealTime
74 August/September 2006
Oscillations: the sound artist as educator
RealTime
74 August/September 2006
Mistral:
Acoustic essences
RealTime
73 June/July 2006
Alva.Noto
& Joyce Hinterding: Edison’s children
RealTime
72 April/May 2006
Totally
Huge: Knots and flames
RealTime
70 December2005/January 2006
Liquid
Architecture 6: celebrating sound
RealTime 68 August/September 2005
Garth
Paine: Composing Potentials
RealTime
67 June/July 2005
Selling
new sounds
RealTime
67 June/July 2005
the NOW
now - present and accounted for
RealTime
65 Feb/March 2005
Circuitous
journeys
RealTime
62 August/September 2004
3D and
other worlds
RealTime
61 June/July 2004
Media Arts
Dark Sightings: Jessica Tyrrells :the braille box:
RealTime
82 December 07/January 08
Fine with a chance of cloud: Talking about the Weather
RealTime
80 August/September 2007 online
Liquid City: Daniel Crooks
RealTime 77 Feburary/March 2007
EPIC
program: Nurturing media art in the regions
RealTime
73 June/July 2006
ACMI's
World Without End
RealTime
68 August/September 2005
MAAP04: When
words flail you
RealTime
64 (MAAP04 Coverage) Dec 2004/Jan 2005
MAAP04: An eye
for sound
RealTime
64 (MAAP04 Coverage) Dec 2004/Jan 2005
MAAP04: Computer
juice
RealTime
64 (MAAP04 Coverage) Dec 2004/Jan 2005
MAAP04: Conceptual
leaps
RealTime
64 (MAAP04 Coverage) Dec 2004/Jan 2005
MAAP04: The weight of public spaces
RealTime
64 (MAAP04 Coverage) Dec 2004/Jan 2005
Transmediale
04 - the art of hope
RealTime
60 April/May 2004
Technology
will eat itself
RealTime
59 Feb/March 2004
Performance
A game with the works: Wayfarer
RealTime
81 October/November 2007
Spat&Loogie:
The young & the restless
RealTime
76 December 2006/January 2007
The rational and the fantastical: the morphology of Nigel Helyer
Catalogue essay for Nigel Helyer's BioSonics exhibition, Western Plains Cultural Centre, August 2008
Memory slips, trips and trades
Catalogue essay for Nigel Helyer's Quint de Loup II, January 2007
What Survives: Sonic residues in breathing buildings
Performance Space Gallery, 2006
download catalogue PDF
unNatural Selection
Manning Regional Art Gallery, 2006
))))))))))))))))))))))))))))((((((((((((((((((((((((((((
The
Morning Mesostics Project
NB: this section of the site is yet to be redesigned.
This is an experiment in hypertextual
writing that took place over the deadly boring Christmas/ NewYear period
of 2002/3.*
It uses a free interpretation of John Cage's Mesostics -
the use of chance methods to create texts in relation to a word written
vertically down the page.
I
use the basic structure as an impetus for automatic writing.
It assists in creating a compressed, bastard-haiku style that should be
read for allusion and association rather than meaning.
Words
from each poem then become the vertical stimulus for each subsequent stage.
Some lead to stage 4, some end at 3 so if you hit a deadend wander back
through the branches and make another choice.
There are 56 poems in total.
The
focus of the work is text - thus the graphic interface is minimal in order
not to distract.
The
piece remains unfinished as the world and work woke up again in February.
As it seems like an almost endless project, I've decided to put it up
anyway rejoicing in
the open-ended, non-permanent nature of the web.